At first glance, George Stevens’ Shane, while beautifully shot, might appear to be similar to countless other Westerns. A lone gunman looking to start a new life, rides into town and ends up reluctantly using his guns in defense of
At first glance, George Stevens’ Shane, while beautifully shot, might appear to be similar to countless other Westerns. A lone gunman looking to start a new life rides into town and ends up reluctantly using his guns in defense of
Panic in the Streets arrived rather early in director Elia Kazan’s career. When the film was released in 1950, Kazan was really just breaking free of the studio and theatrical constraints that he felt hampered much of his earlier work,