Haunting and complex, Ingmar Bergman’s Persona is perhaps the director’s most unforgiving look at the human condition. Probing the depths of the human psyche with surprising intimacy, the intensity never lets up, leaving the viewer
Like most of Ingmar Bergman’s best films, Autumn Sonata is so masterful in its presentation that the intense, emotional world of its characters—in this case an isolated, roomy parson’s house in the south of Norway—overwhelms
Ingmar Bergman is one of the most revered filmmakers in the world. His work, both complex and deeply thoughtful, some see his work as too incomprehensible to really understand. Nothing is further from the truth.
Criterion | 1955 | 108 min | NR Released in 1955, Ingmar Bergman’s 16th film, Smiles of a Summer Night would give the director his first taste of international success. Few would argue that Bergman
Criterion | 1958 | 101 mins. | NR I’ll admit I often have trouble understanding everything being conveyed in an Ingmar Bergman film. A deeply personal filmmaker, some have gone as far as to label