Bill Hicks is widely regarded as one of the best comedians of all time. Sadly, Hicks died in 1994, succumbing to pancreatic cancer at just 32. Honestly, I was only vaguely familiar with Bill Hicks before watching the newly released BBC documentary, American: The Bill Hicks Story. Before the film was done I was a fan. One thing is for sure: Hicks had “it.” Like most great stand ups—Richard Pryor, Eddie Murphy, George Carlin and Lenny Bruce are just a few that come to mind—Hicks could shine a spotlight on an issue, make you think, and have you dying of laughter at the same time.

American: The Bill Hicks StoryDirectors Matt Harlock and Paul Thomas, tell the story of Hicks’ life through interviews with those that knew him best—family, friends, and colleagues. There is no narration, and only a few ‘talking head’ interviews. Instead, the majority of the interviews are voiceovers, accompanied by animated versions of still photographs. If you’ve ever seen 2002’s The Kid Stays in the Picture, about producer Robert Evans, the interview style here is very similar. They trace his childhood, in which he was raised in a strict, religious household that moved often.

Fascinated at a young age by showbiz, comics in particular, Bill and a friend named Dwight Slade began performing as a duo; first at high school events and then Houston nightclubs. After Slade moved away, Bill decided to go it alone. At that time he hadn’t yet developed the style that would gain him fame. His routines had little anger. According to Slade, Bill “never swore.”

That would soon change, as he began to drink and use drugs. Free of inhibitions, Hock was finally able to develop his true “comic voice.” He became a man full of barely contained rage. His routines while pointed walked the fine line between outright mean, and hilariously funny. Hicks didn’t seem particularly concerned about being famous or liked. He wanted to provoke his audiences; make them ink right then and there.

For this documentary, Harlock and Thomas have wisely chosen Hicks bits on topics that remain relevant today: gays in the military, creationism, anti-intellectualism. All of the archive footage displaying Hicks’s gradual evolution—from a straight-laced teenager, to boozed up angry drunk, to a sober tactician of his craft, to someone  who realizes the end is far to near—are the reason to see this film.

If you’re a fan of Bill Hicks, this film is a fitting tribute to a man who obviously had so much more to say. If you’re not familiar with him, American: Bill Hicks offers his material and insights about him that serve as an excellent introduction to a very funny man who was taken way too soon.

This 1080i transfer, presented in an aspect ratio of 1.78:1, isn’t top quality stuff. However, it’s mostly because of the abundance of analog archive materials. It should be noted that the animated sequences, presumably recently constructed, look clean and crisp, as do the few “talking head” interviews that appear in the film.

The 5.1 DTS-HD Master Audio track is a solid one. Bill’s routines are loud and clear, even on the older, VHS dubs. The music cues are dispersed well throughout the soundstage.

English subtitles are available.

This 2 Disc set is packed with several hours of special features. All are presented in 1080p with Dolby Digital stereo tracks and optional English subtitles unless otherwise noted.






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