One of the most lucrative franchises in television history, as of this writing, Star Trek has spawned four live-action series: Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager and Star Trek: Enterprise. As a long time fan of all things Trek, I’ve always regarded Star Trek: The Next Generation, followed closely by Star Trek: Voyager as the strongest of the lot, moving things along, without losing site of what made the original series unique. The most recent television endeavor, Enterprise, takes place before all of the others, chronicling the early voyages of the Star Ship Enterprise.

The third season was one of changes. Though Star Trek: Enterprise was UPN’s most watched series, ratings were in continual decline. Given the go ahead to do whatever they felt needed to be done for a ratings boost, Executive Producers Rick Berman and Brannon Braga abandon the self contained episodes that made up the first two seasons in favor of an arc called the “Xindi mission.” It all began with the second season finale. Captain Jonathan Archer (Scott Bakula) and crew went into The Delphic Expanse, a huge area of uncharted space referred to as “The Expanse,” in pursuit of alien terrorists who killed 7,000,000 citizens of Earth. With parallels to 9/11 that can’t be ignored, the third season begins as a search for justice, evolves into an effort to prevent further destruction, and eventually an attempt at diplomacy.

The third season was regarded by many as Enterprise’s best. It was the first time writers and producers used the series to serve up some social commentary mixed with action, just as the original series had done back in the sixties. Boundaries are crossed and the stakes are raised, as the crew’s mission becomes undeniably personal. The season is darker in tone, and Captain Archer is a noticeably angrier man. In the season opener, he tortures an alien by depriving him of air in an airlock. By mid-season, Archer has learned more about the enemy they’re facing, and goes back to workmanlike, methodical Captain we had known.

While the “Xindi mission” was an excellent move, one change I hated was the ‘sexing up” of T’Pol (Jolene Blalock). Using sex to attract viewers is nothing new in the Star Trek universe—Jeri Ryan, anyone?—but it would have been nice to see the writers avoid this cheap attempt. T’Pol deserves better than tight outfits; she’s actually adds some interest to this season, given her relationship with Trip (Connor Trinneer) and her sporadic objection to the way Archer is running things. She shows interesting flashes as a character, but the desire to use her as ‘eye candy’ means she doesn’t get to develop as much as she might have otherwise.

While season three of Star Trek: Enterprise represents a series in transition, it should definitely be of interesting to fans of the Trek universe. I give Rick Berman and Brannon Braga credit for abandoning the model of the first two seasons in favor of the Xindi arc, it’s the series best contribution to Star Trek lore.

The 24 episodes, spread across six discs, are all presented in their original 1.78:1 broadcast aspect ratio in full 1080p HD, which once again show a good amount of detail and are faithful to the original intent. The special effects look a little wonky on occasion, perhaps that’s because 1080p can be so unforgiving. In no way do they look terrible, though.

The 5.1 DTS-HD surround track is an improvement over past seasons. It seems as though the action scenes and space battles have been given a little bit more heft. In general though, both in terms of picture and sound quality, Enterprise doesn’t quite measure up to the previous Star Trek: The Next Generation releases.

English, French, Japanese, German and Dutch subtitles are included.

Star Trek: Enterprise – Season Three contains extras across the entire set, save for disc four.

Disc One:

Disc Two:

Disc Three:

Disc Five:

Disc Six:

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